I gave a talk!

I gave a talk. And now it’s on the internet. And now I am watching it and having all the thoughts that I imagine many people have when they watch themselves give a talk: What is going on with my hair? And my weird t-rex arm gestures? Is my face always this expressive—and should I think about toning it down a little? And: These ideas should be reorganized. And: That’s not what my voice sounds like.

I would like to do about twenty things differently. But whatever: I stood on the red circle and I gave a talk! And the audience was very kind. And now it’s on the internet, so wishing I could just hold my arms by my side in a post-Jurassic way is useless.

The strange thing about giving a talk like this is that over weeks of practice your delivery becomes disconnected from your ideas. Rehearsal forces you to separate the words from the sentiment. The words aren’t meaningless but the real emotion is displaced by redundancy–and nervousness. Or that was my experience. And maybe, in my case, this is the thing that makes it possible to get on stage and say things that, in retrospect, I would be too self-conscious to ever confess to a stranger. (“Hey, person I don’t know, guess what: I just want someone to love me.” Gross.)

I spent the entire day before the talk walking around Venice Beach and looking at everyone I saw—the barista and the bartender and the skateboarders and the weightlifters and the t-shirt hawkers—and wondering why I chose to make a career writing (and now talking—on a stage!) about the most intimate parts of my life. And if I had to write, why couldn’t I be more wry or funny or weird or cynical? Why sincerity?? Somewhere along the way I’d made a huge miscalculation. Continue reading

Some thoughts on the eve of submitting a book proposal

When I was in grad school, I got a small stipend to put together the alumni newsletter. There was a guy who (twice) sent in an update about his life as a real estate agent, noting that, though his career had veered away from writing, he still used his MFA-acquired-skills to edit the community wine newsletter.

As a judgmental and ambitious twenty-four-year old, this distressed me. I was spending thousands of dollars on my degree. I had made what felt like significant sacrifices to join this program and I shuddered to imagine that a day might come where I would be content to use that expensive and coveted degree to edit a wine newsletter. For years the fear of becoming wine-newsletter-guy motivated me to put aside time to start a book, even when there were more immediately-pleasurable ways to spend my days.

As a much more pragmatic thirty-four-year old, I now understand that this guy was on to something. He surely has a nicer home than me–and earns more money. And if he’s still interested in writing, he might have the resources to take a significant chunk of time off work, or even to retire early. And there’s the obvious truth that deciding not to be a writer isn’t such a bad thing. It’s probably good! My non-writer friends report watching high-quality television shows in the evening, with no overwhelming sense of guilt about how much unpaid work they did or did not complete that day. That kind of evening sounds nice.

An eerie post-apocalyptic haze has settled over Vancouver these past few days. Forest fires north of us have turned the sky an unnatural yellow, and when the evening breeze finally stirs the air, I taste campfire on my tongue. Roscoe and I hunker down in the living room, swatting at flies and trying to determine the least unpleasant hour for a walk. At night, I wake up before dawn scratching at large red welts, tuning my ears to the mosquito’s distinct whine, wondering if it’s worth turning on all the lights and hunting the bastard down. In case you are wondering about the life of a writer hoping to sell her first book, this is what it’s like.

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I guess it’s fitting that these days of waiting have the mythical qualities of purgatory. I started this book proposal in April. I thought I’d be done by the end of May. But in fact—after many revisions, false starts, one total do-over, and sixty-seven pages—I finished in the morning on Friday, July 3. And then I sat around wondering what to do. Continue reading

How do you live with doubt?

I used to think my writing was best when it came from a state of intense emotion. I suspect a lot writers have had this thought.

This belief is useful at times. If, for example, you’re trying to be productive while struggling with a persistent-but-amorphous sense of anxiety, the anxiety can be neatly reframed as an imperative to write. The belief that writing in fact requires some form of suffering served me well all the years I spent either ignoring or tending to my “should I be in this relationship” anxiety. But when the relationship ended (and the anxiety ended and the sense of loss became bearable) writing suddenly came easily. I was focused. I wasted less time browsing strangers’ wedding albums on the internet, wondering if I could ever feel the uncomplicated happiness their faces so often betrayed. Emotional clarity, it turned out, was totally productive.*

I’m supposed to be writing an essay about what it means if you spend years thinking about the dangers of love stories and then your own love story becomes a matter of international interest. This is an interesting topic! This is an essay I’d like to read! But what I’m actually writing is an essay about doubt. Sorry if you thought that other thing sounded interesting. Someone else may have to write it, because the question I keep coming back to, in writing and in love, is this: how do you live with doubt?

Urrghghfghhg. I pose this question and then I make this sound. It is a groan that is mostly consonants. It is a feeling that lives in the throat.

Maybe this question about doubt is really a symptom of privilege. It’s a question you get to ask when you have nothing else occupying your mind.

When you write an essay (that millions of people read) about how you used science to help you fall in love, you turn your life into the kind of myth you don’t believe in.

When you ask your boyfriend what he makes of this and he says, “It’s not like you fall in love and then you’re in love. You fall in love and then you have to actually really get to know somebody,” you can feel it like a fog, the doubt that has settled over the two of you.

We are out of lightning bolts today.

We are all out of lightning bolts.

This is what we don’t talk about enough in love: ambivalence. And how normal it is. Maybe I am not writing an essay about doubt, maybe I’m writing an essay about ambivalence. There is a difference. Doubt is the fog. It is the feeling you can’t see through. It’s all consonants. Ambivalence is a little better. It contains some certainty. It is the yes and the no, two cards held close to the chest. You want to play them both, but you can’t.

“If you can fall in love with anyone, how do you choose?” he asked that night last summer.

“How do we live with doubt?” I ask him today over lunch.

We’ve come up with an answer. It isn’t perfect but it’s all we have. You choose. You choose over and over again. Because there is no right choice. There is no right person. There is simply someone you love, someone you have chosen, whom you will have to choose again. But there is no guarantee that you will always choose him, that he will choose you.

When you write an essay about a study designed to make two strangers fall in love and, after trying it, you yourself fall in love, and this essay goes viral, lots of people you’ve never met will care very much about the status of your relationship. This is strange.

So, how do you live with doubt?

Continue reading

on the problem of wanting

For weeks I’ve wanted to write about all that’s happened in my life in 2015, but I couldn’t find a good way to get at it. I keep thinking back to a rainy Sunday night, about a year ago, when I met two friends for dinner. One was pregnant and doing interesting research for her PhD in linguistics. She and her husband were thinking about buying a condo or moving to a new, baby-friendly apartment. The other, a psychologist, I hadn’t seen since August, when she was in the midst of a messy break up with a not-at-all-nice guy. But by March she was living happily with her new boyfriend—a man who seemed unbelievably successful and kind and good for her. A man she met the day after her break up. She told us about helping to raise his two kids, and her summer plans to attend conferences and visit family.

As they talked, I sipped wine and asked questions and then, when it was my turn, I realized I had nothing to say. “Um,” I tried, “I’ve been on two dates with a guy who seems kind of smart and fun, but we still haven’t scheduled a third.” I searched my life for something: work was the usual mound of ungraded papers and, yes, I was still tooling away at the same book I’d been tooling away at for years. No real travel plans, no visitors. No weekend getaways.

I woke up grouchy the next day, but I couldn’t pinpoint why. After ending a serious relationship a few years before, I’d worked hard to make my life exactly what I wanted it to be. I liked my job, and writing, and walking around the neighborhood with Roscoe. I had time for skiing and climbing and eating Thai take-out with my best friends.

But when I had to describe that life to someone I hadn’t seen in a while, the straightforward sameness of my days suddenly felt embarrassing. My close friends were getting married and making babies. I was about to turn 33—my Jesus year!—and, while I was in no rush to procreate, I wanted something to say when people asked how I was, some small miracle. I understood that the upheaval in my friends’ lives was sometimes hard, but, at the time, even having something to struggle with seemed enviable and kind of glamorous.

how I spend much of my time

how I spend much of my time

Now, on the verge of my 34th birthday, I still spend my days the same way I did a year ago. I go to the climbing gym and I grade papers and I eat Thai food from the same restaurant down the block with my same best friends. I walk the dog. And I write. I write whenever I can.

But in some significant ways, my life feels different. Continue reading

Going viral

I was tempted to subtitle this blog post “wtf?” as well, because that’s what I’ve been thinking pretty much every day for the past month and a half. But it seems unwise to abuse a good subtitle. I’ve been trying to organize my thoughts on the response to my NYT Modern Love article for a couple of weeks now, but every time I sit down to write, I find it hard to make my ideas cohere in any useful way. Perhaps it’s still a little early to process it all. I intend to keep trying, but in the meantime, I thought I’d put together a list of some of the weird, amazing things that have come out of the article. Here goes:

I got a bunch of emails from enthusiastic strangers who tried Arthur Aron’s study. The Times devoted their February 15 Modern Love column to some of those folks.

The Diane Rehm Show did an hour-long interview with me, Art Aron, and Helen Fisher. Chatting with three people whose work I’ve spent years following and admiring was, for lack of a more articulate response, so so cool.

A guy in San Francisco made an art installation!

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Two chairs sit by a chest with the questions engraved on its surface. Not a bad setting for a long talk.

According to a Forbes’ article on “life in the time of the 36 Questions,” there are at least eight apps based on Aron’s study. I’ve checked out several and they are all simple and elegant. I definitely recommend trying one. (Also, by the way, there are a couple card games, a book, and web-app–because apparently everyone who is not me has found a way to make money from this story.)

There are videos, made by MTV and Vice, and by Soul Pancake. The latter, which is not about the questions but the staring in the eyes, is my favorite. It captures the strangeness of the experience so well.

I did two interviews that I really enjoyed: One at UBC’s CiTR station for Arts on Air, where I got to talk about lots of things related to romantic love (beyond the study itself).

And another for NPR’s The Takeaway: http://www.thetakeaway.org/widgets/ondemand_player/takeaway/#file=%2Faudio%2Fxspf%2F431277%2F

**Updated to add that apparently The Big Bang Theory is doing an episode on the 36 questions. So strange, you guys. So strange!

And I’ll leave you with this, without comment:

the fear of success (subtitle: wtf?)

I spent a couple hours deep cleaning my home on Tuesday. It started with my desk, which needed dusting and de-cluttering so I could sit down and open my computer and build a simple, easy-to-find author bio website.

But then I noticed dust on my dresser and the bookshelf. Post-holiday dust. And dog hair under the desk. I got out the broom. Clean slate, I told myself. New year, clean room, clean mind.

Also, it turns out, there were tiny spots on the bathroom mirror from wiping the steam off. And the bathroom floor needed a sweep. Just this, I thought, but I definitely won’t clean the kitchen.

But when I went in the kitchen to get a rag, I saw ghosts of spills on the front of the dishwasher. Fingerprints on the refrigerator. The top of the plastic container that holds the dog’s food was kind of dingy.

Two hours later even Roscoe’s water bowl was gleaming but I was no closer to making the website. In fact, I think the website was the problem (or perhaps the solution, if you ask the dog). Making the website meant acknowledging that I was really doing this being-a-writer thing, and in a very public way.

For years people have suggested I submit to the Modern Love column in the New York Times. This suggestion made sense: if you write about love and love stories it’s pretty much the best place to get published. I mean, people get book deals after their stories run in Modern Love. But I resisted for lots of reasons: they don’t use pseudonyms (not even versions of your own name, like I use), it’s a high-profile place to broadcast one’s personal affairs, and the word count seemed like such an awkward length. And it’s super competitive—they get something like ten thousand submissions a year.

Well, the word count is awkward, but they’re publishing my essay this Sunday. And I am terrified.

I’m also thrilled. I got the email from the editor Dan Jones while making Christmas dinner with my mom’s family and I just started screaming right there in the kitchen, “Mom! New York Times! New York Times!” But once the reality of publishing in the column set in, I started feeling weird. And then I started cleaning.

(And Googling myself several times a day to see if my new website would pop up in time for publication. This is something I don’t recommend.)

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This is from the Douglas Coupland exhibit at the Vancouver Art Gallery. Taken July 29, the night I wrote about in the column. There’s some irony in here somewhere.

The other day I was talking to some friends about those times in life when you get separated from yourself and then, a bit later, you find yourself again and things suddenly come into focus. When I started this blog I didn’t have many reliable bearings. I wanted to write a book but had no idea how to go about it. I’d just gotten Canadian Permanent Residency and promptly moved out of the house I shared with my ex and into a new apartment. I was investing in my life in Vancouver—only without the person I came with.
I eventually figured out that I needed to do two things to be happy: write regularly and find some friends who liked rock climbing or going to breweries. And my life started to come into focus. Continue reading

The fine art of the wedding speech (or how to be less of a jackass)

I know. No one should begin a blog post on the topic of vulnerability with “Last weekend, in a yoga class…” But I’ve been trying to practice the fine art of not giving a shit this summer so I’m going to do it, even though I know you might stop reading right here.

So, last weekend I was in a yoga class, and the room was set up so the instructor was in the middle and the rows of mats on either side faced the center of the room. What this meant in practice was that once the room filled up, my mat was very close to my neighbors’ mats. And when we were in cobra pose—bellies down, backs arched, gazing forward—my face was just a couple feet from someone else’s face. I cannot imagine who thought arranging the room this way was a good idea. Apparently everyone else in the class was a Sunday morning regular and perfectly content to updog right into someone’s post-coffee breath.

I like yoga because, like all writers, I spend a lot of time in my head and yoga forces me to remember that I have a body. I like it because it’s good exercise, but it doesn’t have the existential demands of, say, rock climbing. (While doing yoga, for example, I never wonder if I might break my ankles). But I like it much less when the spritely instructor asks us to come into a deep lunge, raise our arms high in the air, and make eye contact with someone across the room. And then, if we want, to “turn up the corners of our mouths.” Here one is forced to either smile gamely at some sweat-soaked stranger across the way or to actively avoid their serene faces and out yourself as the one very uncool, very un-Lululemon-ed member of the group.

I harbor certain useful illusions about myself as an open person. I write about my life for public consumption. I am lazy about closing the bedroom curtains. If you asked me to tell you a secret, I’d have a hard time coming up with something my friends didn’t all already know. Once I was on a date and I mentioned that sometimes, when I can’t sleep, I lie in bed and say the prayer I said every night growing up: Now I lay me down to sleep…. “It’s not that I think someone is listening,” I said. “But I find the words soothing.” “Wow,” he said, “That’s a pretty revealing thing to say on a second date.” This had not occurred to me–given the context of the conversation, it seemed relevant to share. Conversations like this inflate my sense of my own openness.

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the bride- and groom-to-be

Lately, however, I seem to be bumping up against the boundaries of my openness. This experience has taken various forms, but the most prominent one is my utter terror at giving a speech at my sister’s wedding. My sister is getting married! In two-and-a-half weeks! And I am so happy for her. I think this is the right thing for her right now. I think her boyfriend is the right guy (or, to be technical, because I staunchly oppose the soul mate myth, I think he is a right guy; I think he is great and they are great together).

When people ask me if she and I are close, I always tell them that she is my favorite person in the world. She is. It’s no exaggeration. I’ve even thought about mentioning this in my speech. But the idea of articulating even this minor anecdote in front of a room full of the most important people in her life makes me want to cry-slash-puke. It’s hard to explain my anxiety to people. They say, “But you’re a writer.” Or, “But you talk in front of groups of people for a living.” Yes, but I don’t regularly stand in front of my students and verbalize my deepest, most sincere joys and anxieties (while wearing a floor-length tulle gown, no less).

I am the oldest and my sisterly protectiveness seems to take the form of deep empathy. When she cries, I cry. I’ve done this my whole life. When she’s happy, I experience her happiness as if it is my own. I tell my sister I love her almost every day, but a wedding speech demands this love be articulated in a very specific format. It is essentially an invitation to publicly declare to the people you love the most that you find their happiness so overwhelmingly good that you can hardly stand it. This is a version of openness I am struggling to grasp.

For me, the gap between writing these things and stating them is expansive–expanding. I am pretty good at one and petrified by the other.

Continue reading

A few things about finishing a book draft

I did it. I finished a draft of a book on July 11, two Fridays ago and about ten days after my deadline.

I sent the draft to my friend, and skilled deadline enforcer, Erin at 4:23 p.m. (her words were, “I won’t even look at it after the fifteenth. So don’t bother.”), just in time to run, literally, to my appointment at the chiropractor. And then I came home and had a small celebratory beer and went to a baseball game.

At the game, I wondered if maybe I had arrived at one of those whole-life happiness apexes. I imagine you only get a few—if you are lucky—and most of the time you don’t notice you arrived at one until you have crested and are sinking back down to the grit of daily-ness. Finishing the draft, however uneven and full of holes it may be, felt like the most exciting thing I’ve done. I posted a note about it on Facebook and when I looked back at it while standing in line for the bathroom, I almost teared up from all the comments. (One should try not to cry in line for the bathroom at a baseball stadium on a Friday night. People get uncomfortable.)

baseball

I remember sitting around a table with friends two New Year’s Eves ago, having lemon cake and champagne before heading out. We all had big plans for 2013: people were getting married and finishing school and starting a new business. I said I would finish a book that year. The prospect seemed both unimaginable and inevitable; after three years, I had to finish it. But I only finished two thirds of a draft before getting mired in an awkward structure and an impulse to be very kind to everyone I was writing about. Instead of finishing, I bought a last minute flight to Texas where I could play Trivial Pursuit with very old friends and not think at all about writing.

So I sat in the stands at the baseball game, drinking overpriced beer on an empty stomach on the hottest day of summer so far, thinking, this could be it: the happiness apex. Because surely the part between completing a draft and getting (or not getting) a book published is fraught with demoralizing experiences. Not just the obvious rejections from agents or editors, but also the moment when you look over what you’ve completed and realize how far it still is from the shimmering, beautiful thing that you’ve spent so many years picturing. (I have not yet looked.) But I had baseball and beer, and later frozen yogurt and blueberries on the back porch while gossiping about the neighbors. I was happy. But then it has been well established that is remarkably easy to feel happy on a July night in the company of fresh blueberries and a handsome man.

What I have discovered in the days since completing the draft is that not only do I miss the daily writing—the stress of it and the purposefulness of it and the enormity of it—but that my thoughts still return to the book’s central questions. It doesn’t feel much like finishing. When I was writing about and researching love everyday, it was always on my mind, whatever I was doing—but mostly in a fairly-detached, fairly-rational way. I even found myself giving people advice about love, which feels pretty fraudulent since I don’t exactly have an impeccable history of good choices, but I know a whole lot about what others have discovered. And 2014 is the year of faking it, so maybe I am in the habit of fraud.

I suspect that anyone who has ever written a book (or a half-way thoughtful and somewhat honest book) has discovered that the entire proposition relies on fraudulence. I’ve also found that reading and writing so much about love has left me pretty cynical about the process, and distrustful of my own intuition (thanks to even the most basic knowledge of neurochemistry) and yet, nonetheless, weirdly hopeful. In other words, I have just enough knowledge to paralyze myself. I am too aware of all that can go wrong.

Continue reading

dispatch from Sardinia

This land resembles no other place. Sardinia is something else. Enchanting spaces and distances to travel—nothing finished, nothing definitive. It is like freedom itself.

–DH Lawrence, 1921

So far today I haven’t left the premises. Hostel Alghero is a series of small bungalows with a central espresso/wine/Fanta bar and a tiled patio. I sit in the same white plastic chairs that adorn patios in Vancouver. I wonder which countries, if any, don’t have these chairs. Inside, the only noise is the TV that plays pre-MTV-era music videos: Queen and Stevie Wonder and David Bowie. There’s a dusty pool table pushed against the wall, some dorm-style tables, a chess board with no apparent pieces. Siesta is running long today.

I planned to get to the beach but a lingering mirto headache has slowed my progress. Mirto is a digestivo—an after dinner liqueur—made from myrtle berries. It tastes bracingly medicinal, like high-end cough syrup—with the same consistency. The Sards serve it straight from the freezer. It’s weird at first, but it grows on you quickly, especially when a glass appears without you asking or really even noticing how it arrived. It seems the line between the recommended amount of mirto and an excessive amount mirto is a fine one.

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I sit on the patio and watch people come and go. And I write. It’s hot still at a quarter to six, but the breeze is stiff and cool. I’m sharing the hostel with my friend Kirsten’s geology field school and as the students filter in from the airport, their loud American voices seem to hang in the air. Some have already been down to the beach or to see the cow that’s slowly rotating on a spit in downtown Fertilia—an area that’s exactly two blocks long and one street wide. They put  up the cow last night as we walked home from dinner. A veal roast, they said, but this beast appears fully grown. We watched them build up the fire from a heaping mound of logs in the street. The musculature wrapping around the bones was deep red and white, as vivid as any classroom anatomy poster. But this cow is spread eagle and pierced sternum to pelvis with a ten-foot steel pole. One end of the spit has been slung to a crank with a bicycle chain.

The camp faculty have talked me into giving a lecture on academic writing and in exchange have plied me with salami and Vermentino. I am certain I’m getting the better end of the deal. It’s such a pleasure to chat about teaching over smoked ricotta and late night mirto. It feels, in fact, like I’ve fallen into someone else’s rhythm, a space that doesn’t, or shouldn’t, exist. Still, it suits me to settle in somewhere.

Everyone asks about my book, which provides good practice pitching it. The faculty tell students not to bother me, then they sit themselves down at my table with a bag of cookies and a jar of Nutella. But I like their company and work is progressing, despite having to reorient myself after only a week away from writing. It’s hard to believe it was only a week. Vancouver life feels far away. I look in the mirror and it takes a moment to see myself there. My face is freckled and my hair is fuzzy and light around the temples. Impossibly, the dimensions of my face seem different. Continue reading

The Perpetual Terror of Forgetting (or attempts at immortalizing my dog)

I always thought of stories as records, as ways of remembering our lives. And I thought it was our duty to tell them, a way to keep ourselves alive and thriving. And I don’t mean our species here—because it seems obvious that stories help our species thrive—but rather our individual selves. As in: I tell therefore I am.

But stories are also ways of forgetting. Maybe this explains the relationship between collecting and recollecting: a story is a collection of details and circumstances that seem worthwhile. Any act of recollection necessitates prioritizing that which is relevant and discarding the rest.

Forgetting seems like an unfortunate side effect of time and age and general human fallibility. But  research suggests it’s part of the brain’s design and has real neurological value. What this means in practice is that we selectively inhibit some memories in order to facilitate the retrieval of others. The more a particular memory is retrieved, the more likely competing memories are to be forgotten. Forgetting is the brain’s way of speeding its processing time, and from an evolutionary perspective this seems advantageous: remembering takes work and we need some mechanism to streamline that process. I imagine remembering like walking through a field. The more you walk the same path, the wider and more accessible the path becomes. But, at the same time, the less you walk alternate paths, the more they grow over and become increasingly difficult to follow. If you need to get somewhere quickly—or remember something important—you are grateful for the well-trodden path.

Another dog photo may seem totally irrelevant at the moment, but wait for it.

I know another dog photo may seem totally gratuitous, but wait for it.

When I tell the story of the first person I loved, I remember his white t-shirt and his long hair pulled back. I remember the night a group of us went to Sonic and he sat down next to me. And I remember that particular mode of noticing that only happens when you are sipping a milkshake beside a handsome boy on a hot September night: your body becomes an antenna tuned to his every movement and inflection. And all your intention is split between two actions: noticing him and not letting anyone notice you noticing.

I remember how my friend Joel said, “I don’t want to get your hopes up, but it does seem like he likes you.” My hopes soared.

But I cannot remember exactly what I thought of him. Did I think we might fall in love, or was he just a diversion before I left for London? Would I have considered, at the time, the possibility that I might be here now, writing about that September evening? Did that night seem any different from the one before or the night after? Or did he, from all the other crushes I’ve had? Now that I have written our story, I can’t remember the night before or the night after. I can’t remember if it was him I longed for, or if it was Love. Continue reading