I gave a talk. And now it’s on the internet. And now I am watching it and having all the thoughts that I imagine many people have when they watch themselves give a talk: What is going on with my hair? And my weird t-rex arm gestures? Is my face always this expressive—and should I think about toning it down a little? And: These ideas should be reorganized. And: That’s not what my voice sounds like.
I would like to do about twenty things differently. But whatever: I stood on the red circle and I gave a talk! And the audience was very kind. And now it’s on the internet, so wishing I could just hold my arms by my side in a post-Jurraisc way is useless.
The strange thing about giving a talk like this is that over weeks of practice your delivery becomes disconnected from your ideas. Rehearsal forces you to separate the words from the sentiment. The words aren’t meaningless but the real emotion is displaced by redundancy–and nervousness. Or that was my experience. And maybe, in my case, this is the thing that makes it possible to get on stage and say things that, in retrospect, I would be too self-conscious to ever confess to a stranger. (“Hey, person I don’t know, guess what: I just want someone to love me.” Gross.)
I spent the entire day before the talk walking around Venice Beach and looking at everyone I saw—the barista and the bartender and the skateboarders and the weightlifters and the t-shirt hawkers—and wondering why I chose to make a career writing (and now talking—on a stage!) about the most intimate parts of my life. And if I had to write, why couldn’t I be more wry or funny or weird or cynical? Why sincerity?? Somewhere along the way I’d made a huge miscalculation. Continue reading